Work of Meta-Art in the Age of Symbiotic Reproduction
The flux creates, the corporation accentuates. In the synoptic artifice, art objects are reproductions of the creations of the flux -- a flux that uses the corporation as a zeitgeist to deconstruct ideas, patterns, and emotions. With the evolution of the electronic environment, the flux is conceiving a point where it will be free from the corporation to share immersions into the machinations of the delphic artifice. Work of Meta-Art in the Age of Symbiotic Reproduction contains 10 minimal shockwave engines (also referred to as "clipper chips") that enable the user to make resounding audio/visual compositions.
measuring chains, constructing realities
putting into place forms
a matrix of illusion and disillusion
a strange attracting force
so that a seduced reality will be able to spontaneously feed on it
John Walkenbach's work investigates the nuances of vibrations through the use of
stopframe motion and close-ups which emphasize the Symbiotic nature of digital
media. Walkenbach explores abstract and glorious scenery as motifs to describe
the idea of cyber-intuitive artifice. Using near-happy loops, vectors, and
interactive images as patterns, Walkenbach creates meditative environments which
suggest the expansion of culture...
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